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I chose the music of Puerto Rican Latin Jazz artist Tito Puente, who created an Afro-Cuban suite, Night Ritual. Aesthetically, I pulled from my “witnessing and experiencing” of the Afro-Cuban Orisha dances merged with Dunham to show that dance is spiritual to many cultures rooted in the Africanist and Indigenous. The piece begins with a female-assigned dancer solo to establish the matriarchal nature of many pre-colonial societies such as the Filipino’s Babaylan (shaman); I merged the Filipino martial art, Kali (eskrima is the colonized term) as my way to connect with Dunham’s research of Martinique’s warfare featured in the ballet, La`Agya.
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